Completed, feature-length projects
THE EYEs
(feature-length, fashion, psychological thriller, horror. Timeline: current day.) Acquired second round Incubator Contest at The Black List in 2021.
Tagline: Beauty, thy name is evil.
Logline: An ethnically diverse young woman from nowheresville is catapulted to fame, as a transgender supermodel and becomes a victim of gaslighting from the people that she trusted most. When convinced their advice is rooted in greed and manipulation of her lucrative financial assets, she more than evens the score.
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Script uploaded on Stage32.com. https://www.stage32.com/sites/stage32.com/files/assets/screenplay/66702/34404_1621171041.pdf
Soundtrack: https://www.youtube.com/playlist?list=PLtTwW1fi6jLPTto8bULV-p3r3X7QDEhbC
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Lucinda Marz started her career later than most, but she's had success beyond her wildest dreams. She's become the most sought-after face and body in the international fashion world. A world in which - youth is beauty. Beauty means sacrifice - which makes you a lot of money. The driving force behind an industry that captivates the masses. Her unaging looks are deceptive to her competition, she's more than outlived her shelf life. She becomes troubled by deeply disturbing images in her head that feel and look so convincing she wonders if they are real. And, voices "outside" her head pushing her to the edge as they use her financial assets as cover for an illicit scheme. But, behind her seemingly naive facade, lies an intelligent but very dark and evil persona, filled with bitterness from a lifetime of bullying. Plus, a new face is competing for her throne. Lucinda gets her revenge - working from the other side of the camera. ​
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Glamazons: Drag You UP & Down
(feature-length trilogy comedy, musical, road trip, Timeline: present-day)
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Logline: A drag queen girl group working in the dodgiest cabaret in London, get the last-minute chance to tour across the US for Labor Day weekend.
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Partial script uploaded on Stage32.com https://www.stage32.com/sites/stage32.com/files/assets/screenplay/66702/screenplay_66702_178655_1420021275.pdf
Overcoming personal obstacles and against the odds: Alexus, Cheekey, Sasha, and Miss Terrie, form a "realness", '60s R&B girl group in London. They're nearly ready to throw in the towel on their long-suffering careers at H-aven & Hell. A very bohemian, but poorly run Soho, eclectic London cabaret. Then their conniving manager/agent finally comes through and gets them a gig to fulfill their on-stage dreams. As last-minute stand-ins for a recently promising boy band that went bust. On a road trip tour for the Labour Day holiday weekend​via​ coach across the US. Starting New York, they meet up with Smelda Fische, friend and drag fairy-godmother of Sasha, then they're off to: Miami, New Orleans, and West Hollywood - in the hopes that the gigs will open the door to the fame they've been a long time searching for. Become enraptured in their brand of illusion, amused with their days filled with hilarious mishaps, crazy adventures, OTT fans, personal reflection, unexpected surprises, adventure, gay family life, and drag queen sistahood. If you "tuck" good enough, your dreams really can come true. It's a slice of gay pop culture. It's a slice of drag culture. Laissez les bon temps rouler!
The Glamazons, soundtrack (copyrighted music): https://youtu.be/oG6fayQBm9w
In development
Glamazons 2: Drag You In & Out
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(feature-length, trilogy,
comedy/musical, road trip,
Timeline: present-day)
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The Glams fulfill another one of their dreams, to record with the Divas of Song (female pop singers that support and are advocates of the LGBTQ+ community), whilst in LA, where they left off. In the recording studio, they meet other drag performers/talented hopefuls, that are also making their big break into show business. And are invited to perform at G-A-Y Aide. A global appeal, fund-raiser, rally for hate crime intolerance, youth assistance, and suicide/mental health support for the LGBTQIA+ & non-binary community. Meanwhile, Heaven & Hades (their London home-base gig), is experiencing expansion into the realm of Dragdom talent. There's a trio of well-known UK dragsters substituting for the Glamazons, other drag queens are coming up the ranks, a drag king duo and, a gender-neutral drag performer. The show must go on. (Synopsis complete, currently researching for first draft of script).
Glamazons 3: Drag You, ALL around
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The Glams "werk" the world tour, take a detour to attend an infamous Philly Ball and return to London.
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Why You Hate Me So
(documentary on the global epidemic of violence and genocide against the people of transgender).
Trans-people are verbally attacked, physically, and sexually assaulted and killed at an alarming rate worldwide, especially those of colour. This is about the aspects of why haters and criminals engage in such anti-social behavior and homicidal acts and what can society do to change this. This project would include face-to-face interviews with convicted offenders, off-camera and concealed video investigations. Discussions with trans-people, psychological and behavioural science professionals as to their perspectives and pragmatic solutions.
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Legend of the Ball
(biopic, legendary Mother of the House of Karan, of the Philly drag ball scene)
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Heaven & Hades
(comedy/drama series)
Glamazon film trilogy potential basis for a UK series. The cabaret is the setting, with varied characters, talent/entertainers, home-lives, and special guest appearances.
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All Right, Darlings
(comedy/drama series)
Glamazon film trilogy potential basis for a US series. A business co-op of a one-stop-shop for all things drag. Plus, a drag and non-binary modelling/talent/tour booking agency.
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Juke Ink
(comedy/drama series)
Glamazon film trilogy potential basis for a US series. A boutique recording studio for drag and LGBTQ+ musicians and singers, that cross a wide variety of genres, including pop, rock, classical, R&B country, and lip-sync and live comedy drag groups.
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DOLLHOUSE
(comedy/drama series)
Day-to-day series of a modern-day Drag House/family as they manage their lives and share a townhouse that's in the midst of a custody battle between the live-in owner and their ex.
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Boys!? In The Band? (Some Like It Hot)
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(remake of the 1959 Billy Wilder feature-length, comedy classic
with some violence. Timeline:
present-day)
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Two tapped-out, NYC jazz musicians, witness a rival mob duel. Fearing that they'll either be whacked or questioned by the police, they skip town by taking a gig in an "all-girl" band, touring across the country. When the mob and police catch up with them a band groupie helps them escape.
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